Watch Hindi Movies Online: Latest Hindi Movies Hindi Movies. Magadheera 2. Hindi Drama, Action, Thriller. Duration: 1: 5. 4: 5. The movie story deals with Arundhati the great- granddaughter of the Raja of Gadwal, Mahasamsthan.

Arrangements are being made for her marriage. Arundhati is the first female to be born since her great great grandmother and is especially revered in the family. Her grandfather, the head of the family, talks to her with respect as if she were older than him.

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She receives a misleading phone call in her fiance Rahul's voice asking her to come to the fort of Gadwal, where she faces a horrible revelation. Learning the story from an aged servant maid, Chandramma, Arundhati comes to know that she is a look alike of her great- grandmother Jejjamma. Jejjama is an expert in painting, dancing and martial arts. Her elder sister is married to her cousin Pasupathi.

Pasupathi, a womanizer, rapes the women he likes and kills those who object. Watch La Soga Online La Soga Full Movie Online there. While Jejjama was still a young girl, he raped and killed her blind dance teacher while a horrified Jejjama watched through the peephole. Jejjama, furious, demands that he be killed but the King tells her that this would ruin her sister's life.

Hearing this, Jejjamma's sister commits suicide. The people of Gadwal furiously thrash Pasupathi and tie him to his horse. Though Gadwal celebrates his death, he is saved by Aghoras. Pasupathi masters the Tantric arts and returns to Gadwal many years later to exact his revenge. He unleashes carnage as he uses his powers to torture innocent people something the Aghoras don't do. He arrives on Jejjama's marriage day and magically starts removing her clothes but Jejjama seduces him and performs a special dance imbued with martial arts to lull Pasupathi. She then cuts off his tongue and pins his hands, allowing a chandalier to fall on his body.

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She spares him from being killed to prevent him from becoming a 'pretatma'. Pasupathi is buried alive in a tomb and powerful 'yantras' are put on it to prevent him from coming out. Jejjama goes to the Aghories for help. They say she cannot kill Pasupathi now; she must be reborn again. She sacrifices her own life and before she dies, tells her son that she will be reborn as the first daughter in the family. This is the reason that Arundhathi's grandfather always treats her with respect. The queen dies and her relics are fashioned into a dagger, the one weapon that could destroy Pasupathi forever.

A worker in a trance unknowingly breaks the tomb and releases the 'pretatma'. Anwar who treats patients through sorcery tells her asks her to fight Pasupathi. Arundhati comes to know that her great- grandmother had prepared a 'weapon' with her own bones and had kept it with the sages. Pasupathi stabs Arundhati and she goes to Anwar's palace after recovering.

While they procure the weapon, Anwar falls off a cliff. Arundhati, believing that Anwar is dead, returns to the fort to surrender herself to Pasupathi to prevent the death of her family members. Anwar, who survives the fall, hands the weapon to Arundhati. The weapon has to be soaked in Arundhathi's blood before it can be used. Before Anwar can tell her this, Pasupathi kills him.

As a last resort to save herself, Arundhati tries to kill herself with the same weapon. The dagger glows from her blood showing that Jejjamma had come.

She kills Pasupathi and the building sets fire and blasts. Then Arundhati is shown walking out of the place as Jejjamma.

Watch Irrfan Khan's Film For Remarkable Quality Of Acting. Cast: Irrfan Khan, Saba Qamar, Deepak Dobriyal, Amrita Singh, Swati Das. Director: Saket Chaudhary. Rating: 2. 5 stars. SPOILERS AHEADFull marks - well, almost - for Saket Chaudhary's Hindi Medium for intent, effort and thematic novelty. It's asquint take on the scramble for pre- primary admissions that elite, metropolitan English- medium schools witness every year is likely to strike an instant chord with parents who've faced, or are due to face, the unseemly rigmarole.

Taken in its entirety, however, the film scores much less. This Irrfan Khan starrer is a middling social satire, an awkward blend of situational comedy and an earnest expose on the downsides of ersatz pecking- order mobility. It employs broad strokes that hinge on contrived, bereft- of- nuance situations. The first half is fine, even somewhat droll, riding as it does on the restrained comic talent of Irrfan (as Raj Batra, a well- off Old Delhi clothier) and Saba Qamar (as his wife Meeta, an uptight mother prone to bouts of overreaction). The film doesn't take itself all that seriously as long as the ambitious Delhi couple, looking for an English medium public school for their out- of- sorts daughter, scour the city for the magic key that could liberate them from their Chandni Chowk trappings. Hindi Medium Movie Review: Irrfan Khan, Saba Qamar in a film still.

But something snaps in the second half. Hindi Medium strays into laboured sanctimony. The spontaneous humour of the early passages goes missing and is replaced with a hint of mush. Watch Detour Online Full Movie. Even as the two lead actors continue to sparkle, affectation seeps into the film's soul. The couple's acts of despair are occasionally amusing.

Deciding that they've had enough of being lesser mortals, they resolve to give their daughter Pia top- of- the- line English medium education come what may. They relocate to upscale Vasant Vihar go school hunting. Their misguided methods trigger a chain of events that throw their own life, and that of a low income group couple they befriend, into disarray. Hindi Medium (written by Zeenat Lakhani and Chaudhary) misses the mark on one crucial count. It fails to achieve the kind of beyond- the- obvious acuity that the subject demands. As a consequence, it falls prey to its own facile construct, made worse by the introduction of an inconsistently etched public school principal (Amrita Singh). Watch the trailer of Hindi Medium: The film's plot rests on the simplistic stereotyping of all affluent, Angrezi- speaking South Delhi types as insensitive, snooty and status conscious.

Poverty, on the other hand, is romanticized through the altruistic acts of a righteous, self- effacing factory worker (Deepak Dobriyal), who, in his own words, is a "shuddh gareeb, saat pushto se gareeb". This unflappable man's capacity to take personal setbacks in his stride is an eye- opener for Raj Batra. There is, of course, no problem in the whole wide world - certainly not if it's a matter as small as putting the public school- government school debate at rest for good - that cannot be tackled with the aid of a convenient, no- holds- barred harangue delivered with all the flair in Irrfan Khan's repertoire. Hindi Medium presents the rich- poor, English- Hindi, Chandni Chowk- Vasant Vihar and India- Bharat divides in overly superficial terms, working with character types rather than true- to- life beings. Meeta Batra, unhappy with her social and educational standing, speaks a smattering of English and ridicules her husband's lack of fluency in the nation's power language.

Mata ka bulawa aaya hai' is Raj Batra's mobile ringtone and 'Tare gin gin yaad vich teri main toh jaaga raata nu' is the sort of music he sways to. His wife is embarrassed no end.

Hindi Medium sees the problems that plague the student intake system primarily through the eyes of parents. The voices of children, the most important stakeholders, are given the short shrift. In one scene, the Batras' daughter is asked by the admission consultant (Tillotama Shome, superb) to recite a nursery rhyme.

The little girl is too shy to respond. Cut to the activity area of the all- knowing lady's thriving grooming centre.

The diffident child sees two bright rich kids, on cue, demonstrate their exceptional knowledge, talent and language skills. The girl promptly launches into "Twinkle, twinkle little star, how I wonder what you are." You are what you are.. The film needed more such moments to drive home the ways in which children learn to deal with the world, no matter how harsh or confusing it might be. Hindi Medium Movie Review: Irrfan Khan, Saba Qamar in a film still.

Hindi Medium skirts around the impact of peer pressure on children and treats the young ones at the centre of the action rather perfunctorily. In another scene, Pia's parents visit a government school and are impressed by the skills of the children they are introduced to by a principal who draws their attention to the crumbling building and its rundown classrooms and toilets. Watch Demon Online Hollywoodreporter. But none of this becomes an integral part of the larger design of the film. The urgent issue that it addresses and the actors that it deploys to highlight it surely deserved a more complex and layered treatment. If Hindi Medium remains watchable all the same, it is only because it is difficult not to marvel at the spark that Irrfan adds to the film.

He receives rock- solid support not just from Saba Qamar - far and away the most poised of all the Pakistani actresses who've been in Hindi films in recent years - but also the first- rate Deepak Dobriyal and the magnificently measured Tillotama Shome. The combined force of the acting talent on show isn't enough, however, to rid the film of its qualitative variability. Verdict: It isn't possible to completely dislike Hindi Medium. So, ignore its hiccups and watch it for the relevance of the questions it poses and the remarkable quality of the acting.