Replicants, superheros, and reboots await you in our Fall Movie Guide. Plan your season and take note of the hotly anticipated indie, foreign, and documentary.

Torrentz will always love you. Farewell. © 2003-2016 Torrentz. Amazon September 2017 Movie and TV Titles Announced. We have a list of new Amazon September titles coming to Amazon Prime Video and Amazon Video which you can check. · Fall has long brought with it a new lineup of television shows. Now the traditional fall slate is joined by a slew of new series, movies, documentary films. He has kept from becoming a self-parody, never trading Oscar cachet for big paydays.

GOLD is the epic tale of one man’s pursuit of the American dream, to discover gold. Starring Matthew McConaughey as Kenny Wells, a prospector desperate for a lucky. Denzel Washington's 25 Greatest Movie Roles. A celebration of the greatest living American actor. Animation is the process of making the illusion of motion and the illusion of change by means of the rapid succession of sequential images that minimally differ from. I saw more important films at Sundance 2003, but none more purely enjoyable than "Bend It Like Beckham," which is just about perfect as a teenage coming-of-age comedy.

Want to Watch Some Denzel? Here’s a Streaming Guide to All 4. Dead Season Full Movie Part 1. His Movies. Of all our A- list stars, Denzel Washington’s career may be the most enviable. Although he has a recognizable onscreen persona, it’s mutable enough to allow him to move from R- rated action films (The Equalizer) to serious dramas (Philadelphia) to passion projects with frequent collaborators (like Spike Lee). Watch Jasper Jones Online Ibtimes'>Watch Jasper Jones Online Ibtimes.

Tied to no franchise — seriously, until The Equalizer 2, which comes out next year, he’d never made a sequel — he puts asses in seats, but not in such huge amounts that there’s any need to worry that fatigue will set in and his popularity will somehow drop off. Consider: He’s been in only five movies that have grossed more than $1. American Gangster.) Almost alone among consistent box- office draws, Washington himself is the selling point: Even when he does a remake (The Taking of Pelham 1 2 3, The Magnificent Seven), you’re going because of him. Many well- respected actors have worked their way up the Hollywood food chain, trading their Oscar cachet for big paydays, embarrassing themselves in the process. Washington’s career has not worked that way. Unlike a Nicolas Cage, he has kept from becoming a self- parody, focusing on gritty genre pictures for a few years before throwing us a curveball and doing something deeply moving like a Flight or the recent Fences, his third directorial effort and a major Oscar contender. Washington’s filmography, which includes two Oscar wins (for Glory and Training Day), can be divided into nine categories.

Depending on the mood you’re in, there’s certainly at least one perfect Denzel movie for you. To make things a little easier, we’ve ranked the films within those categories — and noted where you can stream them. We’ve also indicated in parentheses where each title falls in our overall rank of Denzel Washington performances, in case you’re simply looking for the best of the best. Disagree with the ranking? Show us your preferred order using the Interactive Reader Rank at the bottom of the post. DENZEL IS THE NOIRISH ANTIHEROThere’s a specific kind of nuanced protagonist that, when Washington chooses to go there, he can deliver with silky panache. You don’t necessarily root for these characters, but you feel like you understand them.

Devil in a Blue Dress (1. Rank: 4)A box- office disappointment, this adaptation of the Walter Mosley novel actually got more attention for then- newcomer Don Cheadle’s scene- stealing turn as a lunatic associate of the main character, the cool, calculating private eye Easy Rawlins (Washington). But it’s Washington who provides Devil in a Blue Dresswith its swaggering stride, the actor delivering a deft, edgy character portrait that resonates with the racism of the postwar L. A. setting. Available with subscription on Starz; to rent on: Amazon, i. Watch Devil`S Bible Online Forbes. Tunes, Vudu. Flight (2. Rank: 9)When Flighthit theaters, Washington had mostly put aside challenging roles for punch- the- clock thrillers. But this Robert Zemeckis drama reminded viewers that Washington could still deliver layered performances.

He’s exceptional as a hero- pilot who’s trying to stay one step ahead of the addiction problems that threaten to destroy him. The Oscar winner often plays badasses or righteous heroes, but here he portrays a pathetic, small man, and the change of pace makes it all the more gripping. Available to rent on: Amazon, i. Tunes, Vudu. Out of Time (2.

Rank: 2. 4)If you didn’t know any better, this would look like just another junky early ‘0. Washington thriller; I mean, freaking Dean Cain is in this movie. But give it another glance. Directed by Carl Franklin, this is a dark, funny, sexy offering from Washington’s Devil in a Blue Dress director about an alcoholic Florida cop who stumbles into a series of messes and has to maneuver himself out.

The movie is overplotted, over- the- top, and overheated, but it’s still a blast, and Washington seems to get the movie’s odd- angle vibe: Take a step back, and it’s almost a more conventional test run for Inherent Vice, except in Florida and with rum rather than weed. Available with subscription on: Amazon, Hulu; to rent on: Amazon, i. Tunes, Vudu. DENZEL IS SPIKE LEE’S TRUE MUSEOne of the greatest star- director pairings since Robert De Niro and Martin Scorsese? Please allow us to present four terrific films in order to make our case.

Malcolm X (1. 99. Rank: 1)This wasn’t the first time Denzel Washington played the slain civil- rights leader — in the early 1. When the Chickens Came Home to Roost. So he was prepared when he signed up for Spike Lee’s most ambitious film, although he took a year off from other work to immerse himself into the man’s mind- set. Washington nails Malcolm’s steely militancy and gift of gab, but the performance goes far deeper, examining the early failings and eventual righteous fury that transformed him into a once- in- a- lifetime political figure.

Malcolm X is Washington at his most powerful and searching, his funniest and most inspiring. And believe us, you don’t want to go back and see who beat him for Best Actor that year. Available to rent on: Amazon, i. Tunes, Vudu. He Got Game (1. Rank: 3)Washington was never more heartbreaking than in He Got Game, which concerns a convicted murderer (Washington) who’s let out of prison for a week by the governor in exchange for convincing his talented basketball- playing son (Ray Allen) to sign with the governor’s alma mater. This is a story about redemption, but Washington’s uneducated, wary character makes that personal transformation seem unlikely — which only makes it more moving.

It’s a performance full of thwarted male pride, and the actor brings poignancy to this strained father- son bond, playing a bad man who has to finally learn how to be the good guy. Available to rent on: Amazon , i. Tunes, Vudu. Mo’ Better Blues (1. Rank: 6)Mo’ Better Bluesopened just a few months after Washington won his first Oscar, beginning a fruitful partnership with Lee.

As the trumpeter Bleek, Washington plays a flashy, jazz- loving young man whose talent is always running neck and neck with his penchant for self- sabotage. On paper, that’s a cliché, but the actor puts real feeling into the role, making Bleek a guy you want to love even when you’re constantly frustrated by how he fouls up his life. Available to rent on: Amazon, i. Tunes, Vudu. Inside Man (2. Rank: 1. 1)After working together on three films that dealt with race and class, Washington and Lee made a straightforward crime thriller that, naturally, was the biggest hit of the bunch.

But that shouldn’t diminish how terrific Inside Manis — and how great Washington’s suave hostage negotiator is as he squares off against Clive Owen’s equally unflappable bank thief. Washington always brings a little extra crackle when he’s in Lee’s films, and his street- savvy character has a jazzlike improvisational flair that’s both compelling and exciting. Available to rent on: Amazon, i. Tunes, Vudu. DENZEL IS A FORCE OF MORAL RECTITUDEYou know how Washington clenches his face when it’s hero time? In these movies, his unwavering decency is on full display, his no- nonsense moral compass guiding everything that happens. Crimson Tide (1. 99.

Rank: 5)Crimson Tide is from a time when Washington was the brash up- and- comer and Gene Hackman was the warhorse veteran.

Queen of Katwe' Review Hollywood Reporter. Phiona Mutesi, the gifted and determined teen at the center of Queen of Katwe, is an aspiring chess master who can see as many as eight moves ahead. Unfortunately, so can the audience: The inspirational true story of the Ugandan girl’s ascent through the competitive ranks lays out its pieces and strategies all too clearly. Even with director Mira Nair’s typically vivid sense of place and the charismatic central performances by David Oyelowo, Lupita Nyong’o and a striking newcomer, the film hits every note of plucky positivity so squarely on the head that it leaves little room for audience involvement. Critical objections aren’t likely to dim the lure of the two topliners, and many moviegoers are likely to find the biopic’s against- the- odds narrative rousing and irresistible. That it’s the rare mainstream movie set in Africa and not focused on war and deprivation — though they clearly inform the lives of the characters — also will be a draw.

Promoting special rates for group ticket sales, Disney is banking on the femme- forward, family- themed release as an event movie. Nair’s affection for the characters is strong, and Madina Nalwanga’s portrayal of the resilient Phiona has an unsentimental clarity, devoid of self- congratulation. The girl’s doubts are as evident as her accomplishments, but the finer points of Nalwanga’s performance must vie with a screenplay that doesn’t trust the audience to draw its own conclusions. Year by year, over the story’s half- decade, screenwriter William Wheeler parcels out the incidents in Phiona’s education and her family’s setbacks.

Rather than building dramatic tension, the effect is that of protraction and repetition. Adapting sportswriter Tim Crothers’ book, Wheeler, who wrote Nair’s previous feature, The Reluctant Fundamentalist, takes every opportunity to hammer home its themes, leaving no Chess Metaphor About Life unturned or unuttered. How Phiona hears those words, how they affect and transform her, is essential to the feature’s twinned grit and triumph. Usually they’re spoken by Robert Katende, the chess coach who recognizes the girl’s talent, and who Oyelowo plays with exuberance and sensitivity. Katende is a husband and father who has settled on a job with the Sports Outreach ministry. But while he thinks he’s merely biding his time before a more lucrative position comes along, one that will make use of his education as a civil engineer, in truth he’s discovering his true calling, a fact that his wife (Esther Tebandeke) understands before he does. Like much of what transpires in the story, when he’s forced to choose between engineering and coaching, any inner turmoil is quickly resolved. In Katwe, a hardscrabble slum of Kampala, the compassionate Katwende has added chess to the ministry’s program in order to engage the soccer holdouts — kids whose parents have forbidden them to play because they wouldn’t be able to afford medical bills for injuries incurred on the field.

Such unforced acknowledgment of economic realities is among the film’s strengths. It finds especially compelling expression in Nyong’o’s deeply felt portrayal of Harriet, Phiona’s tough and wary widowed mother. In a predictable string of encounters that hit the required beats but stir up no true friction, the coach must convince Harriet to let Phiona and her younger brother Brian (a terrifically spirited and non- cutesy Martin Kabanza) remain in his chess program. Over hand- painted chessboards — one of many fine details in Stephanie Carroll’s production design, which uses some of the story’s actual locations, including the church where Katende taught his chess students — Phiona ruffles the egos of male opponents and swiftly rises to the top as a contender for regional and national titles. Her travels for competitions provide an opportunity to explore the idea of the city/country divide, something the movie does with a glaring lack of subtlety. From academic pooh- bahs to kids, the privileged types who Phiona, her coach and teammates encounter are cartoonishly insensitive snobs. Far more effective than the disdain- drenched exchanges that Nair stages is the way the Katwe kids fall silent as their bus turns onto the manicured campus of Kings College Budo boarding school. There’s relative emotional intricacy too in the subplot involving Phiona’s older sister, Night (Taryn “Kay” Kyaze), who believes that her new life with a flashy boyfriend (Maurice Kirya) is her ticket out of poverty.

Her play for cosmopolitan sophistication is complicated not just by Harriet’s disapproval but by Night’s continued concern for the family. The movie is in large part a tribute to maternal sacrifice and devotion, and Nair captures something tender and fraught in the growing awareness between Harriet and Phiona that, in the words of Katende’s gentle admonition, “sometimes the place you’re used to is not the place you belong.” As with her young co- star’s performance, there’s fierce dignity and vulnerability in Nyong’o’s portrayal, and not a drop of self- righteousness. In a captivating and mildly charged transaction with a handsome shop owner (Ntare Guma Mbaho Mwine), Harriet briefly steps outside her day- to- day domestic struggles, or so it seems. Nair, whose personal and professional ties to Uganda stretch back almost three decades, to Mississippi Masala, approaches the material with a sure feel for local culture, enhanced by the bright patterns and textures of Mobolaji Dawodu’s costumes. Nair and cinematographer Sean Bobbitt, who worked with Nyong’o on 1.

Years a Slave, use a dynamic mix of visuals: intimate character observation, elegant compositions accentuating the serenity of nature, bustling street scenes, and stylized jolts of subjectivity, as in Katende’s memories of childhood loss. The casting of Kampala locals Nalwanga, Kabanza and Kyaze as the three oldest Mutesi siblings deepens the connection to the true story, a connection that Nair emphasizes in a closing- credits sequence that pairs the actors with their real- life counterparts, making for some lovely moments of awkward shyness and emotion. Ugandan song tracks bolster the film’s specificity, while Alex Heffes’ score runs the gamut from inspired passages to heavy- handed tugs on the heartstrings that are right in tune with the screenplay’s general lack of nuance and Nair’s tendency to underline every message. After one of Phiona’s early victories, a competition official praises her chess playing, declaring that “such aggressiveness in a girl is a treasure.” It’s a wonderful line of dialogue, poetic and eye- opening. Phiona Mutesi’s story is inherently inspiring. If only Nair had been less aggressive in her crowd- pleasing maneuvers.

Distributor: Walt Disney Studios. Production companies: Disney presents in association with ESPN Films a John B. Carls/Cine Mosaic/Mirabai Films production. Cast: David Oyelowo, Lupita Nyong’o, Madina Nalwanga, Martin Kabanza, Taryn “Kay” Kyaze, Ntare Guma Mbaho Mwine, Esther Tebandeke, Jack Kinobe Sserunkuuma, Nikita Waligwa, Ethan Nazario Lubega, Esther Tebandeke, Maurice Kirya. Director: Mira Nair. Screenwriter: William Wheeler, based on the book by Tim Crothers.

Producers: Lydia Dean Pilcher, John B. Carls. Executive producers: Will Weiske, Troy Buder. Director of photography: Sean Bobbitt. Production designer: Stephanie Carroll. Costume designer: Mobolaji Dawodu.

Editor: Barry Alexander Brown. Composer: Alex Heffes.

Casting: Dinaz Stafford. Rated PG, 1. 24 minutes.